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Native Americans on Film: Conversations, Teaching, and Theory

edited by M. Elise Marubbio and Eric L. Buffalohead

The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others.

Ziegfeld and His Follies: A Biography of Broadway’s Greatest Producer

by Cynthia Brideson and Sara Brideson

The name Florenz Ziegfeld Jr. (1867–1932) is synonymous with the decadent revues that the legendary impresario produced at the turn of the twentieth century.

Miriam Hopkins: Life and Films of a Hollywood Rebel

by Allan R. Ellenberger

Miriam Hopkins (1902–1972) first captured moviegoers’ attention in daring precode films such as Dr. Jekyll and Mr. Hyde (1931), The Story of Temple Drake (1933), and Ernst Lubitsch’s Trouble in Paradise (1932). Though she enjoyed popular and critical acclaim in her long career—receiving an Academy Award nomination for Becky Sharp (1935) and a Golden Globe nomination for The Heiress (1949)—she is most often remembered for being one of the most difficult actresses of Hollywood’s golden age.

Barbara La Marr: The Girl Who Was Too Beautiful for Hollywood

by Sherri Snyder

Barbara La Marr’s (1896–1926) publicist once confessed: “There was no reason to lie about Barbara La Marr.

Michael Curtiz: A Life in Film

by Alan K. Rode

Academy Award–winning director Michael Curtiz (1886–1962)—whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954)—was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros.