Named a Choice Outstanding Acadmeic Book for 2000.
A groundbreaking, inclusive, carefully reasoned, and thoroughly objective study of Contemporary Christian music.
~Choice
Argues that debates over 'authenticity,' and which musicians truly define the genre, are more intense in Christian music because of the artists' deeply held beliefs.
~Chronicle of Higher Education
Comprehensive and well-researched.
~Church History
Presents a picture of C-Pop splintered into factions yet fundamentally united by its roots in American evangelicalism and commercial popular music.
~First Things
The authors' expertise is self-evident and their references to scholarly, popular, and industry literature is impressive. I do not know of another work that so carefully, completely, and thoughtfully analyzes this genre of music.
~John B. Boles
The thoughtful analyses and conclusions are invaluable to historians and other scholars.
~Journal of Southern History
Provides a well-researched look at the philosophies of contemporary Christian musicians and the effect of their music.
~Lexington Herald Leader
Offers the finest analysis to date of the CCM art world and its several subcultures. The authors' use of sociological, musical, and theological sources is impressive.
~Religious Studies Review
A thorough description of the art world of contemporary Christian music.
~Sociology of Religion
Has much to offer in the way of articulating a thorough cultural analysis of the fragmented reality of CCM.
~Sojouners
This study opens new areas of inquiry seldom considered by scholars of popular culture and music.
~True Tunes