| Reviews:
Winner of
the 2005 Rondo
Hatton Award
Winner of
the Best Book
of 2005 in the Rondo Hatton Classic Horror Awards
"The colossal assemblage of research has been whipped into a
compelling biographical narrative."--Film Monthly
"Youngkin's massively researched opus, drawing on over 300
interviews he
conducted, lives up to the task of conveying Lorre's personal tragedy. . . .
Readably written, spiced up with occasionally very amusing anecdotes,
acerbic
asides and insightful conclusions."--Cineaste
"As the very first biography of Lorre, The Lost One does not
disappoint. . .
. A welcome revelation indeed."--MovieMaker "Much more than a
magnificent biography of a fascinating actor, it's almost a novel about
what make a Man: his dreams, his hopes, his misadventures, his choices."-
-Objectif-Cinema
"An enthralling account of Lorre's life and art, set plausibly in the
cultural geography that sustained him, from Vienna to Los Angeles."--
National
Post
"One chief merit of Youngkin's superb biography it its focus on Lorre's
German stage work. . . . Will surely remain definitive."--Weekend
Australian
"This is the first volume to intensify the mirrored image of the
singularly
interesting character actor--the first to penetrate the inner persona
separated
from the public image. . . . Highly recommended."--Choice
"Youngkin gets behind
the image to incise a definitive portrait, and Lorre becomes a likeness we
can like in-depth."--San Diego Union-Tribune
"Youngkin's life of Lorre is a
monumental piece of research and sheds new light on a career that has
too long been ignored and undervalued."--Logos Journal
"Drawing on more than 300 interviews, Youngkin offers the first major
biography of a genuine but eccentric talent.
This well-researched book illuminates both
Lorre's strengths and his flaws, tantalizes the reader with lost
possibilities in his career, and covers little-known chapters in his life."--
Library Journal (starred review)
"Youngkin peels back the layers of Lorre's life
to reveal a fascinating, nuanced individual who struggled with
intellectual issues in the midst of glamour and fame."--Publishers
Weekly
"Lorre's battles against type-casting and addiction are detailed."--
Washington Post Book World
"You couldn't ask
for a better book about Lorre. It will become the single most important
book
about Lorre's life and career, without question."--Patrick McGilligan,
author of
Fritz Lang: The Nature of the Beast and Alfred
Hitchcock: A Life in
Darkness and Light
"A truly remarkable achievement: a quintessential biography that gets
inside
the inimitable, ever-mysterious Lorre and the movie industry that couldn't
get
enough of him, yet never quite figured out how to tap his peculiar genius.
Riveting, heartbreaking, and endlessly illuminating, The Lost
One reveals the talents and torments of an authentic motion-
picture
original. Youngkin deftly traces Lorre's on-screen achievements, from M
and Mr.
Moto, to the noir masterworks during his glory days at Warner Bros., to his
sad,
slow descent into addiction, chronic melancholy, and second-rate roles.
Dead
center throughout is Lorre himself, who is somehow sustained by his
acerbic wit,
his oddly heroic sensibility, and his incessant commitment to his art."--
Thomas
Schatz, author of The Genius of the System: Hollywood Filmmaking
in the
Studio Era
"Youngkin gets behind the image to incise a definitive portrait, and
Lorre
becomes a likeness we can like in-depth."--San Diego Union-Tribune
"A welcome life of the much-parodied but little-understood émigré
actor,
famed for his portrayals of underworld lowlifes."--Hollywood Reporter
"What a stunning achievement! The Lost One is, well, beyond definitive
regarding the life and career of beloved actor Lorre."--Starlog
"Massively researched and surely definitive."--Film Comment
"A monumental piece of research and sheds light on a career that has
too long
been ignored and undervalued."--Logos
"Youngkin gets behind the image to incise a definitive portrait, and
Lorre
becomes a likeness we can like in-depth."--Florida Newspaper
"Youngkin makes a strong case for Lorre as one of cinema's most
underrated
actors, exploring in detail his early stage work in Europe, his largely
forgotten performances in radio and television, and of course his role as
the
child murderer in Fritz Lang's classic crime film M, which would forever
define
Lorre as a celluloid bogeyman."--Daily Yomiuri
"Deep and detailed."--B Monster Bulletin
"A lovingly researched, much needed examination of Lorre's troubled
life. . .
. Youngkin's biography transports us to another time, a time of World Wars
and
sweeping ideologies, of pioneering in the film industry and a 'stable'
mentality
guiding the studios."--Vue Weekly
"His recollections are amusing and enlightening as Peter Lorre was an actor who played to the microphone and ended each program bathed in perspiration because he had just given a fantastic vocal performance."-The Peter Lorre News Blog
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