| One of the most exciting developments in Romantic studies in the past decade
has been the rediscovery and repositioning of women poets as vital and
influential members of the Romantic literary community.
This is the first volume to focus on women poets of this era and to consider
how their historical reception challenges current conceptions of Romanticism.
With a broad, revisionist view, the essays examine the poetry these women
produced, what the poets thought about themselves and their place in the
contemporary literary scene, and what the recovery of their works says about
current and past theoretical frameworks. The contributors focus their attention
on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna
Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of
Romanticism as an intellectual and cultural phenomenon. Grounding their
consideration of the poets in cultural, social, intellectual, and aesthetic
concerns, the authors contest the received wisdom about Romantic poetry, its
authors, its themes, and its audiences. Some of the essays examine the ways in
which many of the poets sought to establish stable positions and identities for
themselves, while others address the changing nature over time of the
reputations of these women poets.
Harriet Kramer Linkin, associate professor of English at
New Mexico State University, is coeditor of Approaches to Teaching British
Women Poets of the Romantic Period and editor of The Collected Poems
and Journals of Mary Tighe. Stephen C. Behrendt, George Holmes Distinguished Professor
of English at the University of Nebraska, is author of Royal Mourning and
Regency Culture: Elegies and Memorials of Princess
Charlotte.
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| Reviews:
“This valuable
and wide-ranging collection will provide the reader with ample material for
further investigation.”—Times Literary Supplement “This volume takes an
important step toward redefining the literary mainstream of the Romantic
period.”—Choice “An excellent collection.”—Studies in English Literature,
1500-1900 “Absolutely must be read.”—Romanticism on the Net “Offers a
range of positions and methods that challenge many of the major currents in
scholarship on romantic women writers. These challenges are fresh, exciting, and
absolutely necessary if the study of women writers in the romantic period is to
have a vital intellectual future.”—Mary Favret, Indiana University “Those
teaching women poets of the Romantic period must address a number of questions:
What was the initial reception of these poets? Why did they fade from public
consciousness? What circumstances have led to renewed interest in these writers
today? This volume will help us address these issues subtly and
creatively.”—Elizabeth Kraft, University of Georgia
"Discloses a much more populous Romantic period that we
have yet been accustomed to study and teach. . . . This impressively coherent
collection of essays presents a united front in arguing for a long-needed
expansion of the Romantic canon, recognizing women's valuable contributions to
its most popular poetic genres."--Eighteenth-Century Women
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