Introduction
Knowledge, Truth, and Thought Experiments in Schizopolis, and sex, lies, and videotape
Love, Truth, and the Medium in sex, lies, and videotape
Amplified Discourse and Desire in sex, lies, and videotape
Alain Resnais Meets Film Noir in The Underneath and The Limey
Doing Time: Consciousness, Temporality, and the Crime-Revenge Genre in The Limey
The Blend of History: Intertextuality, Broken Mirrors, and The Good German
Remade by Steven Soderbergh
Philosophical Reflections on Steven Soderbergh's Kafka
All About Erin: Responsibility and Self-Centered Narration in Erin Brockovich
Portrait of the Artist as a Struggling Filmmaker: Reading Schizopolis as a Form of Philosophical Autobiography
Mr. Soderbergh Goes to Washington
You Shook Sinatra's Hand, You Should Know Better: Competing Modes of Capital in Steven Soderbergh's Ocean's Eleven
Stuck in Traffic: An Ethical Analysis
The Philosophy of Space and Memory in Solaris
The Dream Factory: Solaris, Cinema, and Simulacra