Greta Garbo proclaimed him as her favorite director. Actors, actresses, and even child stars were so at ease under his direction that they were able to deliver inspired and powerful performances. Academy--Award--nominated director Clarence Brown (1890--1987) worked with some of Hollywood's greatest stars, such as Clark Gable, Joan Crawford, Mickey Rooney, Katharine Hepburn, and Spencer Tracy. Known as the "star maker," he helped guide the acting career of child sensation Elizabeth Taylor (of whom he once said, "she has a face that is an act of God") and discovered Academy--Award--winning child star Claude Jarman Jr. for The Yearling (1946). He directed more than fifty films, including Possessed (1931), Anna Karenina (1935), National Velvet (1944), and Intruder in the Dust (1949), winning his audiences over with glamorous star vehicles, tales of families, communities, and slices of Americana, as well as hard-hitting dramas. Although Brown was admired by peers like Jean Renoir, Frank Capra, and John Ford, his illuminating work and contributions to classic cinema are rarely mentioned in the same breath as those of Hollywood's great directors.
In this first full-length account of the life and career of the pioneering filmmaker, Gwenda Young discusses Brown's background to show how his hardworking parents and resilient grandparents inspired his entrepreneurial spirit. She reveals how the one--time engineer and World War I aviator established a thriving car dealership, the Brown Motor Car Company, in Alabama -- only to give it all up to follow his dream of making movies. He would not only become a brilliant director but also a craftsman who was known for his innovative use of lighting and composition.
In a career spanning five decades, Brown was nominated for five Academy Awards and directed ten different actors in Oscar-nominated performances. Despite his achievements and influence, however, Brown has been largely overlooked by film scholars. Clarence Brown: Hollywood's Forgotten Master explores the forces that shaped a complex man -- part--dreamer, part--pragmatist -- who left an indelible mark on cinema.
"Gwenda Young's research for her study of the films directed by Clarence Brown is beyond excellent. It is extraordinary." -- Emily Leider, author of Myrna Loy: The Only Good Girl in Hollywood
"Gwenda Young's extremely significant and impressive work provides a comprehensive historical overview of the life and career of an important Hollywood director of the 'Classical Era' -- Clarence Brown." -- Lucy Fischer, author of Body Double: The Author Incarnate in Cinema and Art Direction and Production Design
"This definitive study of the life and work of prolific MGM contract director Clarence Brown, whose career extended from the early silent era into the age of television, is exhaustively researched and skillfully written. It does not claim that Brown was a filmmaking genius, but rather a great visual stylist with an intense devotion to the artful logistics of production and direction who also had a poetic vision grounded in personal experience. It offers a vivid account of the industrial system in which he practiced, with special attention to the vexations of production code censorship and internal studio politics. Anyone who cares deeply about the history of American cinema should read this book." -- David A. Cook, author of A History of Narrative Film (Fifth Edition)
"This is a pioneering study of an important but neglected American filmmaker. Gwenda Young has marshaled an astonishing range of resources in telling the story of Clarence Brown's life and work from his days as an apprentice in the silent era through his rise as a major director in the classical Hollywood studio system up to World War II and beyond. It is an epic tale, and Young gives it the scope and momentum of a great novel even as she brings to bear a wealth of scholarly research. A truly impressive accomplishment." -- James Morrison, author of Auteur Theory and My Son John
"A sweeping and elegantly written biography. It is as gracefully told, as delicate and memorable, as the best work of its subject. Young's book effortlessly portrays a man who never let the Hollywood system interfere with his filmmaking instincts." -- Wall Street Journal
"A well-annotated, comprehensive, academic biography. Highly recommended to anyone interested in the history of early American cinema, star power in early Hollywood, or Clarence Brown." -- Library Journal
"Young makes a credible case for Brown's skillful craft and even artistry in the silent era. Youngtells his story well." -- Shepherd Express
"A biography of the unsung director Clarence Brown would be welcome under any circumstances. That it rates a ringing endorsement from Kevin Brownlow makes it required reading. Young's book is more than a career study, however; it is a full-fledged biography, extensively researched and annotated. The man who made Flesh and the Devil, Anna Karenina, The Human Comedy, National Velvet, The Yearling, and Intruder in the Dust (among many others) deserves no less." -- Leonard Maltin
"Young's thorough and fascinating biography on MGM film director Clarence Brown goes a long way in making sure his contribution is noted as lasting and significant. Young not only provides us with a biography of a great director's life, she offers fascinating information about the approach to filmmaking during cinema's infancy, the power of the studio system, the many varied personalities whose work we continue to revere, marketing methods, critical reactions, box office stats, and how the work continues to impact us. Clarence Brown: Hollywood's Forgotten Master makes a real case for our better appreciation of a brilliant director, and does so in a manner that is informative, enlightening, interesting, and entertaining. It is a book that demands to be included in any library or research center, University or public, and in the personal collections of anyone interested in the richness of Hollywood cinema's history." -- James L. Neibaur
"Throughout this elegant book, Young makes a watertight case for the reappraisal of her subject, a director who, in her words, "soared in flights of poeticsm and romanticism that are still unequaled on the American screen."" -- Sight & Sound