The second woman to earn a PhD from Columbia University -- and the first from south of the Mason-Dixon Line to do so -- Kentucky native Katherine Jackson French broke boundaries. Her research kick-started the resurgence of Appalachian music that continues to this day. But what would have been French's crowning scholarly achievement, a collection of traditional Kentucky ballads, never saw print. Academic rivalries, gender prejudice, and broken promises set against a thirty-year feud known as the Ballad Wars denied French her place in history and left the field to northerner Olive Dame Campbell and English folklorist Cecil Sharp, setting Appalachian studies on a foundation marred by stereotypes and misconceptions.
Katherine Jackson French: Kentucky's Forgotten Ballad Collector tells the story of what might have been. Drawing on never-before-seen artifacts from French's granddaughter, Elizabeth DiSavino reclaims the life and legacy of this pivotal scholar by emphasizing ways her work shaped and could reshape our conceptions about Appalachia today. In contrast to the collection published by Campbell and Sharp, French's ballads elevate the status of women, give testimony to the complexity of balladry's ethnic roots and influences, and reveal more complex local dialects. Had French published her work in 1910, stereotypes about Appalachian ignorance, misogyny, and homogeneity may have diminished long ago. Included in this book is the first-ever publication of Katherine Jackson French's English-Scottish Ballads from the Hills of Kentucky.
"Dr. DiSavino's wealth of research contributes to an understanding of the cultural and historical life of our nation, glimpsed through the window of our national song as recorded by Dr. Katherine Jackson French's keen ear and discerning intellect." -- Ron Pen, Director Emeritus of the John Jacob Niles Center for American Music, and author of I Wonder As I Wander: The Life of John Jacob Niles
"DiSavino's meticulous scholarship delves into, exposes, and connects a wealth of primary sources to build a three-dimensional portrait of Katherine Jackson French while uncovering the mechanisms that conspired to silence this remarkable early twentieth-century scholar and ballad collector. DiSavino analyzes and compares the ballads collected by Cecil Sharp and Olive Dame Campbell with the French collection in terms of music, style, and representation of singers. French can now take her place alongside Emma Bell Miles and Campbell as strong women chronicling life in the Appalachian region just after the turn of the twentieth century, sometimes at odds with institutions and traditional expectations." -- Deborah J. Thompson, assistant professor and Appalachian Studies faculty at Berea College