Ink

Like Tokarczuk's Flights, Woodward's crisp, clean prose moves quick-paced through place and time, weaving together a narrative from multiple threads: Angela Woodward's Ink is an engrossing, multifaceted narrative that questions how we witness, how we document, and ultimately how we understand life in all its manifestations, from humdrum to horror.

~Jesi Bender, author of The Book of the Last Word and Kinderkrankenhaus

Angela Woodward's novel Ink shows us how, even when the evil is shocking—in this case the torture of detainees in Abu Ghraib prison—the mechanisms by which it's processed and received can render it banal. It is by reverse-engineering this muffling through collocation of the testimonies with office politics, workaday busyness, Netflix thrillers, and histories of the materials of writing that Woodward un-disappears the ink. Reflecting on the 'failure' of Francis Ponge's Soap, this novel curses all cleansers, all fresheners, all distractions, all entertainment, willing our national stains to set. Reading this book...it's like I'd forgotten novels could be provocative.

~Joe Sacksteder, author of Make/Shift and Driftless Quintet

Angela Woodward's Ink is a glorious melding of essay and novel, outrage and understanding. Think: Sebald, later Gerald Murnane, Lydia Davis. Brilliant, empathetic, and above all a pleasure to read.

~Gabriel Blackwell, author of Doom Town and CORRECTION

Angela Woodward's Ink mines the relationship between the word as witness and the nightmares buried beneath our words. This is a novel that marries politics and poetry in the profoundest sense.

~Hannah Lillith Assadi, author of Sonora and The Stars Are Not Yet Bells

Ink is thoughtful and meandering, but also precise and sharp. Based on the real events and testimonies of Abu Ghraib, this layered narrative still turns its subject inside out, wrapping ordinariness into acts of violence. Brutal and surreal, Ink juxtaposes extreme and mundane events in its story of two women hired to transcribe horrors.

~Foreword Reviews